SHOE MUSEUM
CATALOGUE RENÉ VAN DEN BERG
René van den Berg is a designer and teacher from the Netherlands, who finds his creativity in technique and a non-conservative and even adventurous way of looking at footwear.
René van den Berg looks at the projects in his hands with humour, inverting and deconstructing the pre-defined structures and the instituted places of materials and components, creating objects that question the traditional systems of construction, fixing and decoration.
CATALOGUE MARLOES TEN BÖHMER
Marloes ten Bhömer it is not a simple footwear designer. She is an artist. A thinker. A questioner. She is critical when she rejects the stereotypes and identity imbalances that the fashion industry promotes. She is challenging when she questions gender in “traditionally” masculine disciplines. She is liberating when she analyses the peripheral role of women in cinema - through the act of walking - and proposes alternative models of thinking. For Marloes ten Bhömer, footwear - specially the feminine high heel - is a powerful means of expression, evocation, provocation, questioning and above all renewal.
CATALOGUE SILVIA FADÓ
Silvia Fadó is a Spanish footwear designer with a restless and creative personality who acknowledges a certain obsession with perfection. To this creator, footwear design exceeds a simple vocation, to her it is a calling and a lifelong dream. With an undying passion for footwear, Silvia Fadó takes inspiration in architecture, engineering, product design, lighting and lets herself be driven by the way everything works, its lines and mechanisms, finding beauty in every single part of this process.
Catalogue Marianne Jongkind + Costa Magarakis
In the hands of Costa Magarakis, the most diverse models of high-heeled shoes, trainers, big boots and even skates become hybrid and realistic objects that emulate the deformed body of an animal, curious means of transport, architectural elements or the most bizarre of creatures.
Catalogue Araceli Sancho + Kei Kagami
Kei Kagami looks at shoes, not as isolated pieces of a collection, but as an extension of his own narrative construction which is the basis to the development of his clothing collections. Setting aside commercial interests, he is dedicated solely to creating the right image for the collection. His shoes reveal all the creative potential of the designer, a product of his personal expression, his creative individuality and above all, his artistic honesty.
Catalogue Estibalitz Diaz de Durana + Carolin Holzhuber
Introduced in the context of the programme cycle “Creating between worlds. From head to toe”, produced by the Hat and Shoe Museums, the exhibition “Elevated. Carolin Holzhuber footwear” brings us two symbolic worlds which seem antagonistic for this designer, fashion and art, the wearability of design as opposed to the dysfunctionality of art, the place of aesthetics in counterpoint to the place of ethics.
Catalogue Harvy Santos + Amber Ambrose Aurèle
Between the world of fashion and the world of art, Amber Ambrose Aurèle doesn’t produce shoes. She explores stories that draw inspiration from the artistic universe of Piet Mondriaan, as well as Shakespeare’s heroines or ‘opanci’ traditional Serbian shoes which she reinvents with long high heels. She incites profound reflexions, urgently questioning the world. And she repeatedly questions a woman’s role in the world and the stereotypes that still seem to befall her.
Catalogue Maor Zabar + Kobi Levi
Creativity and disruptive thinking characterise the work of Maor Zabar and Kobi Levi. They transform the products of two very different industrial sectors – shoes and hats – with a very close connection to S. João da Madeira, its history, its present and certainly its future, into true artistic manifestos, through which they reflect and make us reflect about the simplest and almost imperceptible things of everyday life.
Catalogue Anastasia Radevich
Anastasia has created allegories of multiple worlds for herself. Her creations take us on a journey between what is, what was, what could be. The chronologies of time and the countless spaces her art-shoes inhabit forward us to a sort of dystopia or negative utopia. We are warned.
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Catalogue Luís Onofre
